Read the following paragraph quickly, and count instances of the letter ‘f’ that you see:
FINISHED FILES ARE THE RESULT
OF YEARS OF SCIENTIFIC STUDY
COMBINED WITH THE EXPERIENCE OF YEARS
You probably saw three or four—right? Wrong, there are actually six in the passage, and the reason you did not see them all is that when you quickly scan a passage you tend to ignore the shorter, familiar words. A trained proofreader will spot every one!
There is no doubt about it, proof-reading can be a tedious, boring, painful - if you think of it as looking for mistakes.
However, if you approach the task as a review of your manuscript this will allow you to read your draft, consider what you have written, and make any changes.
You must proofread and correct your writing many times before you submit it for publication as an eBook. If you submit your manuscript to a mainstream hard copy publisher, this is especially true because they will instantly dump poor writing.
Your first proofreading sessions must concentrate on the actual structure of your written material, looking for disjointed flow of ideas.
You can cut sentences and paragraphs altogether, or move them to a new position where they make more sense to the reader.
The manuscript may need new sections, paragraphs, or sentences inserted in some places, where they will improve your writing. This is equally true with fiction as it is with non-fiction, as both forms of writing are highly structured and must be eminently readable.
Does your writing answer all the questions you think it should? You must ask yourself who, what, when, where, why, and how when reading for content, and be happy that each question is fully answered.
Proof-reading for editing your manuscript entails working on the words and sentences you have written, looking for mistakes in language.
These mistakes can include:
The consensus of most writers is that it is better to proof read and edit your writing first thing every day, when you mind is fresh and your thinking clear.
Prepare a list of the common mistakes you make, so that you can look for them the next day. This can speed up your editing, and help to improve your writing at the same time!
Edit your printed work by standard lighting and not by fluorescent lighting, which has a slower flicker rate making it harder to see irregularities in your writing. Ensure that you have your ideal working conditions. This may be a quiet room with a locked door, or one with your favourite music playing in the background.
The most important proof-reading tip is to read your work. Read your work in every manner possible: slowly, out loud, backwards, upside-down, pointing with your finger to read one word at a time, and then have somebody else read it.
Make sure you also read a printed version:
The Internet has numerous Websites that offer various editing and proofreading services and their fees range from $3.50 a page to $100 an hour, and more!
Customers often ask us to provide this service, and when publishing for a client we mostly include a final edit. However, we strongly believe that the author must make all the initial editing and proofreading.
The author is the only person who understands exactly what message the writing is meant to convey, and third-party editing can change the meaning entirely. We have all seen movies that differ entirely from the book, for similar reasons - the screenwriter sees things very differently to the original author.
Your money may be better invested in an established editing and proof-reading course, rather than paying a service to edit your work. This is a great investment and can only improve your writing skills.
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